Challenges with Hotel Stays: Check-In/Check-Out Timings and Booking Experiences
Chasing the Waves: An Unforgettable Escape to Malpe Beach - Day 1
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| Niha walking in the water |
Chasing the Waves: An Unforgettable Escape to Malpe Beach - Day 2 (Udupi temple and St. Mary's island)
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| Path to sanctum |
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| Udupi Sreekrishna temple |
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| St. Mary's island |
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| Hexagonal rock structures |
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| Potato twister |
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| Looking back... |
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| Gokul and Deepa enjoying the sunshine |
Chasing the Waves: An Unforgettable Escape to Malpe Beach - Final day (Malpe Sea walk and more)
Final day of the trip... that is effectively just half day. This was not the plan I had originally in mind. However, delayed train bookings changed everything; I had to choose slower Murdeshwar-SMVT express compared to faster and better timed Panchganga Express.
Unless you are planning to explore Udupi in detail, two to three days are enough to explore Udupi-Malpe and nearby areas.
I woke up early in the morning and forced Divya, Niha, and Mom to wake up as well. We rushed outside to the beach to see the sunrise. After seeing the waves, I understood my stupidity — Udupi is on India’s western seaboard. Here, one can see the sunset in full grandeur, not the sunrise. However, all was not in vain. This gave us enough time to explore the beach visit Malpe sea-walk. We walked towards the giant metal box at one end of the beach. From day one, I have seen this unusual structure from a distance. Now it’s time to see from close. As per google maps, Malpe sea-walk is close to this building.
The beach was not that clean as we moved away from the main area frequented by travelers. Dog/animal poop showed up here and there. Occasionally the otherwise energizing nice odor of the sea gave way for a different flavor. We continued to walk, many times stepping on the empty outer shells, which crushed under the weight of my legs with a light but distinctive sound. Several boats were parked at one side as if they were taking sunbath. For a moment I wondered how those boats reached so far away from the sea. Yesterday we saw, that it was hard for for people to push the boat to sea manually against the waves. So it would be difficult for the tired fisherman (after a long day's work) to pull the boat that much away from water. I didn’t have to think much about how; further ahead a tractor was pulling another boat out of water and moving it upward.
In google maps sea-walk looked closer. However, the beach almost ended short of that. So, we climbed up the stone wall at its narrow area to reach the road which runs parallel to the beach. There was a Hanuman temple facing the sea. We continued to walk, and finally understood what that giant metal box is - 'Udupi Cochin Shipyard Limited (UCSL)'. Cochin shipyard got control of the company via NCLT resolution. Now the company is building and servicing sea going boats. In their website, its mentioned that they also built the boats operated by Kochin Metro. Currently a big vessel is taking form in their workshop.
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| Boats in the channel |
Crossing the park which has a number of statues we reached the sea walk.
What we have here is a small shipping channel protected on both sides by breakwaters extending to sea. Sea walk is a tiled walkway on one side of the breakwater; the other side is Padukere breakwater. Channel formed between these two breakwaters is absent of waves and makes it easier for vessels to go in and come out from fishing harbor which is located at the side of USCL. Ships built/serviced by USCL also can reach sea via this channel. While we started walking through the breakwater, one fishing boat was slowly sailing towards the wider ocean. Inside there were a number of people, some looked outside without any expressions while did some chores. I stood still and looked at her as she moved from the calmness of water channel towards the ever-lively sea.Once the boat was out of sight, I continued to walk toward the other end of the walk. The tiled path ends a little short of the breakwater’s edge. Lot of options are there to sit anywhere along the breakwater and think about all we want. From here one can see the beach and nearby islands. Other than St. Mary’s Island, there are three more small islands. As the mercury level slowly started rising, we began our journey back to the hotel.
While heading to the sea walk, I called Gokul to check if he had woken up. He was getting ready and wanted to visit the Udupi temple in the morning. When they reached the temple, there wasn’t any queue. It seems the day we went was either an auspicious day or going early (he reached the temple an hour earlier than us) made all the difference.
There wasn’t much planned for the day. The train was in the afternoon. We checked out, had lunch, and suddenly Divya had this desire to buy something for Niha. So, we all walked along the beach road and reached the bus stop. A KSRTC bus was standing there. As it had become very hot, we went to a nearby shop and indulged in some ice cream. Mom, Niha, and I sat near a casuarina tree, looking around. Another man was also sitting nearby. He seemed to have come from somewhere else—not to enjoy the beach but without any intention of going anywhere either, as if frozen in time. He watched Niha for some time. She has this habit of putting two of her fingers in her mouth most of the time. We try to discourage her, but she persists. Seeing this, he mentioned that he used to have the same habit until he was ten, and his parents applied chili powder to his fingers to stop him. Well, chili powder does seem like an extreme measure, but breaking these habits is difficult.
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| Malpe sea-walk |
Gokul, Divya, and Deepa disappeared into a shop further down the road. Since we hadn’t seen them for a long time, I got up and walked in that direction. They were on their way back, carrying several items for Niha and Akansha. Now it was time to say goodbye to Malpe. We took two autos and went to Udupi railway station. The mercury had no intention of coming down. Gokul tried to find the paid AC waiting room, but it was already full. Finally, Mom, Deepa, Niha, and Akanksha found some space in the other waiting room. Gokul stayed on the platform. Divya and I walked toward the other end of the platform and met several workers on their way to Mumbai. It seemed they had come to Udupi for work and were now heading back. Their train was running late.
Nothing eventful happened on the train. She spent a long time at Mangalore Central and drenched herself in rain. Unfortunately, by the time train reached Western Ghats there was hardly any light left. I stood close to the door and looked at the darkness outside. Time went on... After a while I noticed something strage a little ahead close to the rails - so many fireflies... but its neither moving nor blinking!!! How were they able to do that? When we got closer, the situation became clear. Those weren’t fireflies but people standing on the platform using the mobile's flash lights as there was no current. many were boarded from that stage and we moved on.
The train groaned loudly as she navigated the sharp twists and turns. From the unsettling sounds and the way the bogies shifted at their joints, it felt as though they might come apart. After a while, train came to a halt in the middle of nowhere, waiting for something. I looked outside and noticed that we are about to enter a sharp curve. The train's front light illuminated the track ahead and water droplets falling in to it. I wish I had a drone now. This should have been a magnificent view from the top. thinking that, I returned to my berth and lay down. After some time, the train resumed her journey, her cries on the sharp curves stayed on my ears until sleep closed it.
Sajeev
Biyyam Kayal Ponnani - For a beautiful evening
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| Associated bridge |
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| View from top of the regulator |
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| Good space for parking, walking and sitting at the side of the lagoon |
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| Suspension bridge across the lagoon |
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| I, me, myself |
Coonoor - Devoid of flat land
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| An interesting morning view |
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| WMCA Wyoming - An old colonial building |
Savanadurga (Karnataka) - Steep face
History
Geology
Hitting the road
Manchanebele Dam
Climb
Yercaud - Queen of Salem
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| Yercaud Lake |
Salem
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| Salem City |
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| Agriculture market, Salem. A view from top |
Yercaud
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| Old banglow at Tipperary |
Someshwara temple, Bangalore
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| Mandapa in front of the temple. Photo from Wikipedia |
Its
not everyday that one discover an old famous temple (yet unknown to me) in
Bangalore city. This is what happened on that weekend. As my mother was in
Bangalore at that time, I was looking for a temple to visit during weekend.
Then suddenly Someshwara temple came the in search results.
Located
close to Halasuru metro station in Old Madras Road (OMR), this temple is
dedicated to Lord Shiva and one of the oldest temple in the city. It is
believed that, this temple dates back to Chola period. Significant additions
were later made during the Vijayanagara period; when Kampagowda was the ruler
of then Bangalore.
Halasuru
(better known as Ulsoor) is one of the oldest neighborhoods in Bangalore. It
is believed that, there was an early settlement around Someshwara temple. In mid
16th century, Halasuru was one of the 12 hoblis (group of villages) granted by
Achutaraya (then ruler of Vijayanagar empire) to the local ruler Kempagowda.
Water for for farming and sustaining a community was available from Ulsoor lake
(attributed to Kempagowda). Later in 1807, Company established a cantonment in
Ulsoor.
We
went there on a Saturday morning. After parking the bike in the front; we
walked towards the temple. First structure we encounter was a majestic pillar
in front of gopuram. After looking at the pillar for sometime we walked towards
the gopuram. It’s an imposing structure. Lower half of the gopuram was constructed
using stone and the multi- storied upper half was constructed using brick and
mortar. Crossing the gopuram took us to a large ground, were small shrines are present
on both sides. After visiting these shrines we walked towards the mahamandapa.
Mahamandatpa
is located in front of main shrine and have 48 decorated pillars. These pillars
have more than five hundred relief sculptures carved into it. Most pillars have
seated lions at its base; however, the carvings in the middle and top differs. Frequently
used relief sculptures are that of Shiva (in the forms of Nataraja, Virabhadra,
Mrityunjaya, Umasahita etc), Parvati, Vishnu, Lakshmi, Ganesha etc. There were
also carvings of animals, ascetic, gods, goddesses, hybrid animals etc.
On
the door way, there is an illustration of King Ravana shaking Mt. Kailasha;
goddess Mahishasuramardini; dwarapalakas etc. In one pillar, symbol of
Vijayanagar kings - double headed eagle - is depicted. This image later became
the symbol of Wodeyar kings of Mysore and eventually become part of Karnataka
State emblem.
Closed
circular pathway comes after open mandapa; here we saw the idols of a lot of
deities. We took a left turn to the path way; after walking the entire circumference
reached the front again. This time we went inside and saw sanctum
(rectangular/square in shape) and the idol of Shiva inside. There were hardly
10-15 people inside. After spending some time there we came outside.
On
the right side of main temple, there is a separate shrine for Kamakshi Devi (a
form of goddess Parvati).
Outer
walls of main temple on the right side depict wedding ceremony of Parvati and
Shiva (Girija kalyana story). Brahma officiating the marriage as priest; father
of the bride (also king of mountains Himavan) pour sacred water to the arm of
Shiva; which then falls in to the joint hands of the couple and then flows down
to the mouth of Nandi.
A
Navagraha (nine planets) temple is located on the north side. There are 12
pillars to this temple and each pillar depict a saint (rishi).
Row
of sculptures on the southern wall shows nava nathas (nine saints) on various
animals. Its not that, only gods and rishis are depicted here. We also have
dancer's gestures, porters, wrestlers, snake charmers, huntsman etc.
The
story of the temple may not be complete without telling the story of Venkata
Sundara Sani. She was a devadasi attached to Someshawara Temple. She wrote the
book on dance titled, 'Rasikajana Manollasini Sarasangraha Bharata' in Sanskrit
written using Kannada script in 1908. This temple was also a meltipng pot of
various cultures, traditions and various regions of south India. Performers
here used the works from Telugu composers Tyagaraja, Shyama Shastry etc; also
from Kannada composers Purandaradasa, Vyasatirtha etc. In Sani's book there are
references to Bharatanatya which means the rich tradition of Tamil culture as
well.
Recent
excavations showed the presence of a Kalyani (temple pond) associated with the
temple. It is estimated that Kalyani may be more than 1200 years old.
We
went through the shirnes one by one and finally reached the room where some
yajna was going on. After watching the ritual for some time, we came out and
crossed the gopuram once again.
Sajeev
References
Gavi Gangadhareshwara Temple, Bangalore
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| Trident - Gavi Gangadhareshwara Temple |
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| Suryapana and Chandrapana |
We reached the temple just after nine in the morning on a weekend. Since there was hardly much people at that time; parking was easy and we walked rest of the way. The place looked quite like a village; it didn't give any indication that such an old temple is located there.
Tunchan parambu (Tirur)
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| Pond |
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| Parrot and Stylus |
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| Museum |
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| Kanjira (Strychnine) tree |
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| Temple |
Padinjarekkara Beach (Tirur)
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| Padinjarekkara beach - way of water |
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| Padinjarekkara beach - near by cafe |
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| Way of water |
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| People enjoying the sunset |
Mysore Chronicle: Rail Museum
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| Dedicated one for erstwhile Mysore queen |
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| Toy train coming out of tunnel |
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